Penny Dreadful: City of Angels is a 2020 spiritual successor—not a direct sequel—to the acclaimed gothic horror series Penny Dreadful (2014–2016). Created by John Logan, the same visionary behind the original, City of Angels shifts the setting from Victorian London to 1938 Los Angeles, weaving a rich tapestry of noir crime drama, Mexican-American folklore, racial tension, and political paranoia—all under the watchful eye of supernatural forces.
While the show retains the haunting atmosphere and high production value of its predecessor, City of Angels departs thematically, exploring the clash between American identity and immigrant culture in a period of mounting global fascism.
Plot Summary
Set in pre-World War II Los Angeles, the story follows Detective Tiago Vega (Daniel Zovatto), the city’s first Mexican-American detective, as he investigates a grisly murder that spirals into a web of political intrigue, racial strife, and occult mystery. Partnered with seasoned detective Lewis Michener (Nathan Lane), Tiago uncovers a broader conspiracy involving Nazi agents, local politicians, and ancient supernatural beings.
At the heart of the conflict is Magda (Natalie Dormer), a shape-shifting demon who believes humanity is inherently evil and seeks to prove it by manipulating people into chaos and destruction. Dormer plays multiple characters—each representing a facet of Magda’s influence—demonstrating the many ways hate and fear can take root in society.
Meanwhile, Santa Muerte (Lorenza Izzo), the angel of holy death, stands in opposition to her sister Magda, representing hope, grief, and spiritual balance in a world on the edge.
Themes and Symbolism
The series dives deep into the sociopolitical climate of 1930s Los Angeles, addressing:
- Racism and Identity: Tiago’s struggle as a Mexican-American navigating a racist LAPD and a divided community mirrors broader themes of assimilation and cultural erasure.
- Fascism vs. Democracy: Echoing the rise of Nazism in Germany, the show explores how fascist ideologies infiltrate American institutions—through charismatic politicians, covert operatives, and divisive rhetoric.
- Myth and Faith: The conflict between Magda and Santa Muerte symbolizes a metaphysical war over the soul of humanity—whether we are destined for cruelty or capable of compassion.
- Urban Development and Displacement: The construction of freeways and manipulation of land ownership serve as allegories for gentrification and the systemic oppression of ethnic communities.
Performance and Style
Natalie Dormer’s performance is a standout, showcasing impressive range as she inhabits multiple personas—each seductive, sinister, and distinct. Nathan Lane also brings unexpected depth as Lewis Michener, a jaded yet principled detective facing his own demons, including the threat of American Nazism and personal loss.
Visually, the series captures the era with authenticity and flair—combining art deco aesthetics, haunting cinematography, and period-accurate costume design with elements of magical realism and horror.
Reception and Cancellation
Critically, Penny Dreadful: City of Angels received mixed-to-positive reviews. It was praised for its ambition, topical relevance, and performances (especially Dormer and Lane), but some critics felt the storytelling was overstuffed and less emotionally resonant than the original Penny Dreadful.
Despite its potential, the series was canceled after just one season. Showtime announced the cancellation in August 2020, citing creative decisions and ratings. Nevertheless, it has since found a niche audience who appreciate its bold narrative and thematic richness.
Legacy and Final Thoughts
While City of Angels didn’t reach the cult status of its gothic predecessor, it remains a bold experiment in genre storytelling. Blending noir crime drama with supernatural mythology and socio-political critique, the series dared to confront the dark undercurrents of American history through an unflinching, magical lens.
